{"id":1192,"date":"2026-10-05T11:31:04","date_gmt":"2026-10-05T09:31:04","guid":{"rendered":"https:\/\/thatdog.fr\/index.php\/anamorphic-filmmaking-look-bokeh-flares\/"},"modified":"2026-10-05T12:02:39","modified_gmt":"2026-10-05T10:02:39","slug":"anamorphic-filmmaking-look-bokeh-flares","status":"publish","type":"post","link":"https:\/\/thatdog.fr\/index.php\/en\/anamorphic-filmmaking-look-bokeh-flares\/","title":{"rendered":"Anamorphic Filmmaking: The Art of an Inimitable Look"},"content":{"rendered":"\n[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb]\n\t\t\t[et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb]\n\t\t\t\t[et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb]<p>You can spot an anamorphic image without always knowing why: a very wide frame, bluish streaks crossing the screen, light points shaped like ovals. This article explains what an anamorphic lens does, where its look comes from and when to use it, including for a brand film.<\/p>\n<h2 class=\"wp-block-heading\">What is anamorphic?<\/h2>\n<p>An anamorphic lens squeezes the image horizontally: it captures a wider field than a spherical lens, then the image is \u201cdesqueezed\u201d in the edit or on the monitor to restore the right proportions. The squeeze factor tells you by how much.<\/p>\n<figure class=\"tdp-fig\" style=\"margin:22px 0\"><svg viewBox=\"0 0 640 240\" role=\"img\" aria-label=\"Diagram: a circle squeezed into an oval on the sensor then restored to a circle\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" font-family=\"Inter,Helvetica,Arial,sans-serif\" style=\"width:100%;height:auto;display:block\"><rect width=\"640\" height=\"240\" fill=\"#161817\"\/><text x=\"20\" y=\"30\" font-size=\"15\" font-weight=\"700\" fill=\"#ffd400\">Squeeze, then desqueeze<\/text><circle cx=\"95\" cy=\"125\" r=\"50\" fill=\"#f2f0eb\"\/><text x=\"95\" y=\"205\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">Scene<\/text><path d=\"M170 125 H225 M215 115 L225 125 L215 135\" fill=\"none\" stroke=\"#ffd400\" stroke-width=\"3\"\/><ellipse cx=\"320\" cy=\"125\" rx=\"25\" ry=\"50\" fill=\"#ffd400\"\/><text x=\"320\" y=\"205\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">On the sensor (squeezed)<\/text><path d=\"M375 125 H430 M420 115 L430 125 L420 135\" fill=\"none\" stroke=\"#ffd400\" stroke-width=\"3\"\/><circle cx=\"520\" cy=\"125\" r=\"50\" fill=\"#f2f0eb\"\/><text x=\"520\" y=\"205\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">After desqueeze<\/text><text x=\"320\" y=\"228\" font-size=\"11\" fill=\"#9aa09d\" text-anchor=\"middle\">Squeeze factor: 2x here<\/text><\/svg><figcaption>The image is squeezed onto the sensor then desqueezed to restore its proportions.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">The factors: 1.3x, 1.5x, 2x and others<\/h2>\n<p>The chosen factor, combined with the sensor format, determines the final aspect ratio. A few examples:<\/p>\n<figure class=\"wp-block-table\"><table><thead><tr><th>Sensor<\/th><th>Squeeze<\/th><th>Aspect ratio after desqueeze<\/th><\/tr><\/thead><tbody><tr><td>16:9 (1.78)<\/td><td>1.3x<\/td><td>about 2.31:1<\/td><\/tr><tr><td>16:9 (1.78)<\/td><td>1.33x<\/td><td>about 2.37:1<\/td><\/tr><tr><td>16:9 (1.78)<\/td><td>1.5x<\/td><td>about 2.67:1<\/td><\/tr><tr><td>16:9 (1.78)<\/td><td>2x<\/td><td>about 3.56:1<\/td><\/tr><tr><td>4:3 (1.33)<\/td><td>1.8x<\/td><td>about 2.40:1<\/td><\/tr><tr><td>4:3 (1.33)<\/td><td>2x<\/td><td>about 2.67:1<\/td><\/tr><\/tbody><\/table><\/figure>\n<p>Factors from 1.3x to 1.5x give a more discreet, lighter look. 2x offers the most pronounced effects. The resulting frame can then be cropped to 2.39:1.<\/p>\n<p>The horizontal field of a 2x lens is that of a focal length half as long: a 50 mm 2x anamorphic sees as wide as a 25 mm spherical, but keeps the vertical angle of a 50 mm.<\/p>\n<h2 class=\"wp-block-heading\">The visual signature<\/h2>\n<figure class=\"tdp-fig\" style=\"margin:22px 0\"><svg viewBox=\"0 0 640 240\" role=\"img\" aria-label=\"Comparison of round light points in spherical and ovals with a horizontal streak in anamorphic\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" font-family=\"Inter,Helvetica,Arial,sans-serif\" style=\"width:100%;height:auto;display:block\"><rect width=\"640\" height=\"240\" fill=\"#161817\"\/><text x=\"20\" y=\"30\" font-size=\"15\" font-weight=\"700\" fill=\"#ffd400\">Bokeh: round or oval<\/text><rect x=\"20\" y=\"42\" width=\"290\" height=\"170\" rx=\"10\" fill=\"#0d0e0e\" stroke=\"#4a4f4c\"\/><rect x=\"330\" y=\"42\" width=\"290\" height=\"170\" rx=\"10\" fill=\"#0d0e0e\" stroke=\"#4a4f4c\"\/><circle cx=\"90\" cy=\"70\" r=\"22\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"160\" cy=\"95\" r=\"16\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"125\" cy=\"140\" r=\"26\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"220\" cy=\"60\" r=\"14\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"230\" cy=\"150\" r=\"20\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"80\" cy=\"165\" r=\"14\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"260\" cy=\"105\" r=\"18\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"400\" cy=\"70\" rx=\"13.64\" ry=\"26.4\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"470\" cy=\"95\" rx=\"9.92\" ry=\"19.2\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"435\" cy=\"140\" rx=\"16.12\" ry=\"31.2\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"530\" cy=\"60\" rx=\"8.68\" ry=\"16.8\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"540\" cy=\"150\" rx=\"12.4\" ry=\"24\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"390\" cy=\"165\" rx=\"8.68\" ry=\"16.8\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"570\" cy=\"105\" rx=\"11.16\" ry=\"21.599999999999998\" fill=\"#ffd400\" fill-opacity=\".8\"\/><line x1=\"350\" y1=\"128\" x2=\"600\" y2=\"128\" stroke=\"#7fb8ff\" stroke-width=\"3\" stroke-opacity=\".9\"\/><text x=\"165\" y=\"232\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">Spherical: round points<\/text><text x=\"475\" y=\"232\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">Anamorphic: ovals and streak<\/text><\/svg><figcaption>The same blurred background: round in spherical, oval in anamorphic, with a horizontal flare.<\/figcaption><\/figure>\n<ul><li><strong>Oval bokeh:<\/strong> blurred light points take the shape of vertical ovals, more pronounced as the factor rises.<\/li><li><strong>Horizontal flares:<\/strong> bright light sources leave streaks, often bluish depending on the coatings.<\/li><li><strong>Distortion:<\/strong> straight lines at the edges can curve, and a very close face can stretch.<\/li><li><strong>Focus breathing:<\/strong> the framing can shift slightly when you pull focus.<\/li><li><strong>Texture:<\/strong> softer edges, a slight loss of sharpness in the corners, a character many find more organic.<\/li><li><strong>Perceived depth of field:<\/strong> at equal horizontal field, it often looks shallower than with a spherical lens.<\/li><\/ul>\n<h2 class=\"wp-block-heading\">What anamorphic says<\/h2>\n<p>The wide frame sets up horizontality: landscapes, architecture, isolated characters in a setting. Flares add an emotional or dreamlike dimension, ovals make bright backgrounds more painterly. It is often tied to epic storytelling and emotion, but it can also serve intimacy, as a face separates from the background with a soft blur.<\/p>\n<h2 class=\"wp-block-heading\">The limits<\/h2>\n<ul><li><strong>Cost:<\/strong> the lenses are expensive to buy and to rent.<\/li><li><strong>Weight and size:<\/strong> they are heavier than a spherical lens.<\/li><li><strong>Speed:<\/strong> the maximum aperture is often more modest (around T2 to T2.8).<\/li><li><strong>Minimum focus distance:<\/strong> it is often longer.<\/li><li><strong>Vertical:<\/strong> the very wide frame crops poorly to 9:16 for social media.<\/li><\/ul>\n<p>Several brands offer very different ranges: from high-end cinema (Panavision, Cooke, Hawk) to more affordable compact lenses (Sirui, Vazen, Laowa and others). There are also 1.33x adapters that go in front of spherical lenses, an economical way to approach the look.<\/p>\n<h2 class=\"wp-block-heading\">Anamorphic and brand films<\/h2>\n<p>For a brand, anamorphic suits corporate films, tourism, automotive or architecture, that is, wherever you want breadth and a visual signature. It takes preparation: setting the desqueeze on the camera and monitor, testing lenses, framing designed for the wide format. Our gear is on our <a href=\"https:\/\/thatdog.fr\/index.php\/en\/equipment\/\">equipment page<\/a>, and our <a href=\"https:\/\/thatdog.fr\/index.php\/en\/video-business\/\">business video page<\/a> describes our approach.<\/p>\n<div class=\"tdp-tip\"><p><strong>Our advice.<\/strong> Anamorphic is a storytelling choice, not a style filter: use it when the subject gains scale or emotion from it.<\/p><\/div>\n<div class=\"tdp-cta\"><p><strong>A film to shoot in a wide format?<\/strong><br>Tell us about your project: we will tell you whether anamorphic serves it.<\/p><a href=\"https:\/\/thatdog.fr\/index.php\/en\/quote-request\/\">Request a quote \u2192<\/a><\/div>[\/et_pb_text][\/et_pb_column]\n\t\t\t[\/et_pb_row]\n\t\t[\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>1.3x, 1.5x, 2x squeeze, oval bokeh, horizontal flares, distortion and texture: everything about the anamorphic image and what it says.<\/p>\n","protected":false},"author":1,"featured_media":1189,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<p>You can spot an anamorphic image without always knowing why: a very wide frame, bluish streaks crossing the screen, light points shaped like ovals. This article explains what an anamorphic lens does, where its look comes from and when to use it, including for a brand film.<\/p>\n<h2 class=\"wp-block-heading\">What is anamorphic?<\/h2>\n<p>An anamorphic lens squeezes the image horizontally: it captures a wider field than a spherical lens, then the image is \u201cdesqueezed\u201d in the edit or on the monitor to restore the right proportions. The squeeze factor tells you by how much.<\/p>\n<figure class=\"tdp-fig\" style=\"margin:22px 0\"><svg viewBox=\"0 0 640 240\" role=\"img\" aria-label=\"Diagram: a circle squeezed into an oval on the sensor then restored to a circle\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" font-family=\"Inter,Helvetica,Arial,sans-serif\" style=\"width:100%;height:auto;display:block\"><rect width=\"640\" height=\"240\" fill=\"#161817\"\/><text x=\"20\" y=\"30\" font-size=\"15\" font-weight=\"700\" fill=\"#ffd400\">Squeeze, then desqueeze<\/text><circle cx=\"95\" cy=\"125\" r=\"50\" fill=\"#f2f0eb\"\/><text x=\"95\" y=\"205\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">Scene<\/text><path d=\"M170 125 H225 M215 115 L225 125 L215 135\" fill=\"none\" stroke=\"#ffd400\" stroke-width=\"3\"\/><ellipse cx=\"320\" cy=\"125\" rx=\"25\" ry=\"50\" fill=\"#ffd400\"\/><text x=\"320\" y=\"205\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">On the sensor (squeezed)<\/text><path d=\"M375 125 H430 M420 115 L430 125 L420 135\" fill=\"none\" stroke=\"#ffd400\" stroke-width=\"3\"\/><circle cx=\"520\" cy=\"125\" r=\"50\" fill=\"#f2f0eb\"\/><text x=\"520\" y=\"205\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">After desqueeze<\/text><text x=\"320\" y=\"228\" font-size=\"11\" fill=\"#9aa09d\" text-anchor=\"middle\">Squeeze factor: 2x here<\/text><\/svg><figcaption>The image is squeezed onto the sensor then desqueezed to restore its proportions.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">The factors: 1.3x, 1.5x, 2x and others<\/h2>\n<p>The chosen factor, combined with the sensor format, determines the final aspect ratio. A few examples:<\/p>\n<figure class=\"wp-block-table\"><table><thead><tr><th>Sensor<\/th><th>Squeeze<\/th><th>Aspect ratio after desqueeze<\/th><\/tr><\/thead><tbody><tr><td>16:9 (1.78)<\/td><td>1.3x<\/td><td>about 2.31:1<\/td><\/tr><tr><td>16:9 (1.78)<\/td><td>1.33x<\/td><td>about 2.37:1<\/td><\/tr><tr><td>16:9 (1.78)<\/td><td>1.5x<\/td><td>about 2.67:1<\/td><\/tr><tr><td>16:9 (1.78)<\/td><td>2x<\/td><td>about 3.56:1<\/td><\/tr><tr><td>4:3 (1.33)<\/td><td>1.8x<\/td><td>about 2.40:1<\/td><\/tr><tr><td>4:3 (1.33)<\/td><td>2x<\/td><td>about 2.67:1<\/td><\/tr><\/tbody><\/table><\/figure>\n<p>Factors from 1.3x to 1.5x give a more discreet, lighter look. 2x offers the most pronounced effects. The resulting frame can then be cropped to 2.39:1.<\/p>\n<p>The horizontal field of a 2x lens is that of a focal length half as long: a 50 mm 2x anamorphic sees as wide as a 25 mm spherical, but keeps the vertical angle of a 50 mm.<\/p>\n<h2 class=\"wp-block-heading\">The visual signature<\/h2>\n<figure class=\"tdp-fig\" style=\"margin:22px 0\"><svg viewBox=\"0 0 640 240\" role=\"img\" aria-label=\"Comparison of round light points in spherical and ovals with a horizontal streak in anamorphic\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" font-family=\"Inter,Helvetica,Arial,sans-serif\" style=\"width:100%;height:auto;display:block\"><rect width=\"640\" height=\"240\" fill=\"#161817\"\/><text x=\"20\" y=\"30\" font-size=\"15\" font-weight=\"700\" fill=\"#ffd400\">Bokeh: round or oval<\/text><rect x=\"20\" y=\"42\" width=\"290\" height=\"170\" rx=\"10\" fill=\"#0d0e0e\" stroke=\"#4a4f4c\"\/><rect x=\"330\" y=\"42\" width=\"290\" height=\"170\" rx=\"10\" fill=\"#0d0e0e\" stroke=\"#4a4f4c\"\/><circle cx=\"90\" cy=\"70\" r=\"22\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"160\" cy=\"95\" r=\"16\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"125\" cy=\"140\" r=\"26\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"220\" cy=\"60\" r=\"14\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"230\" cy=\"150\" r=\"20\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"80\" cy=\"165\" r=\"14\" fill=\"#ffd400\" fill-opacity=\".8\"\/><circle cx=\"260\" cy=\"105\" r=\"18\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"400\" cy=\"70\" rx=\"13.64\" ry=\"26.4\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"470\" cy=\"95\" rx=\"9.92\" ry=\"19.2\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"435\" cy=\"140\" rx=\"16.12\" ry=\"31.2\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"530\" cy=\"60\" rx=\"8.68\" ry=\"16.8\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"540\" cy=\"150\" rx=\"12.4\" ry=\"24\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"390\" cy=\"165\" rx=\"8.68\" ry=\"16.8\" fill=\"#ffd400\" fill-opacity=\".8\"\/><ellipse cx=\"570\" cy=\"105\" rx=\"11.16\" ry=\"21.599999999999998\" fill=\"#ffd400\" fill-opacity=\".8\"\/><line x1=\"350\" y1=\"128\" x2=\"600\" y2=\"128\" stroke=\"#7fb8ff\" stroke-width=\"3\" stroke-opacity=\".9\"\/><text x=\"165\" y=\"232\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">Spherical: round points<\/text><text x=\"475\" y=\"232\" font-size=\"13\" font-weight=\"700\" fill=\"#f2f0eb\" text-anchor=\"middle\">Anamorphic: ovals and streak<\/text><\/svg><figcaption>The same blurred background: round in spherical, oval in anamorphic, with a horizontal flare.<\/figcaption><\/figure>\n<ul><li><strong>Oval bokeh:<\/strong> blurred light points take the shape of vertical ovals, more pronounced as the factor rises.<\/li><li><strong>Horizontal flares:<\/strong> bright light sources leave streaks, often bluish depending on the coatings.<\/li><li><strong>Distortion:<\/strong> straight lines at the edges can curve, and a very close face can stretch.<\/li><li><strong>Focus breathing:<\/strong> the framing can shift slightly when you pull focus.<\/li><li><strong>Texture:<\/strong> softer edges, a slight loss of sharpness in the corners, a character many find more organic.<\/li><li><strong>Perceived depth of field:<\/strong> at equal horizontal field, it often looks shallower than with a spherical lens.<\/li><\/ul>\n<h2 class=\"wp-block-heading\">What anamorphic says<\/h2>\n<p>The wide frame sets up horizontality: landscapes, architecture, isolated characters in a setting. Flares add an emotional or dreamlike dimension, ovals make bright backgrounds more painterly. It is often tied to epic storytelling and emotion, but it can also serve intimacy, as a face separates from the background with a soft blur.<\/p>\n<h2 class=\"wp-block-heading\">The limits<\/h2>\n<ul><li><strong>Cost:<\/strong> the lenses are expensive to buy and to rent.<\/li><li><strong>Weight and size:<\/strong> they are heavier than a spherical lens.<\/li><li><strong>Speed:<\/strong> the maximum aperture is often more modest (around T2 to T2.8).<\/li><li><strong>Minimum focus distance:<\/strong> it is often longer.<\/li><li><strong>Vertical:<\/strong> the very wide frame crops poorly to 9:16 for social media.<\/li><\/ul>\n<p>Several brands offer very different ranges: from high-end cinema (Panavision, Cooke, Hawk) to more affordable compact lenses (Sirui, Vazen, Laowa and others). There are also 1.33x adapters that go in front of spherical lenses, an economical way to approach the look.<\/p>\n<h2 class=\"wp-block-heading\">Anamorphic and brand films<\/h2>\n<p>For a brand, anamorphic suits corporate films, tourism, automotive or architecture, that is, wherever you want breadth and a visual signature. It takes preparation: setting the desqueeze on the camera and monitor, testing lenses, framing designed for the wide format. Our gear is on our <a href=\"https:\/\/thatdog.fr\/index.php\/en\/equipment\/\">equipment page<\/a>, and our <a href=\"https:\/\/thatdog.fr\/index.php\/en\/video-business\/\">business video page<\/a> describes our approach.<\/p>\n<div class=\"tdp-tip\"><p><strong>Our advice.<\/strong> Anamorphic is a storytelling choice, not a style filter: use it when the subject gains scale or emotion from it.<\/p><\/div>\n<div class=\"tdp-cta\"><p><strong>A film to shoot in a wide format?<\/strong><br>Tell us about your project: we will tell you whether anamorphic serves it.<\/p><a href=\"https:\/\/thatdog.fr\/index.php\/en\/quote-request\/\">Request a quote \u2192<\/a><\/div>","_et_gb_content_width":"","footnotes":""},"categories":[248],"tags":[73,59],"class_list":["post-1192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mag-a-en","tag-filming","tag-video-2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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