{"id":356,"date":"2026-10-04T00:39:50","date_gmt":"2026-10-03T22:39:50","guid":{"rendered":"https:\/\/thatdog.fr\/index.php\/eclairer-portrait-interview-secrets-lumiere\/"},"modified":"2026-10-04T00:39:50","modified_gmt":"2026-10-03T22:39:50","slug":"eclairer-portrait-interview-secrets-lumiere","status":"publish","type":"post","link":"https:\/\/thatdog.fr\/index.php\/eclairer-portrait-interview-secrets-lumiere\/","title":{"rendered":"\u00c9clairer un portrait ou une interview : les secrets de la lumi\u00e8re"},"content":{"rendered":"<p>Prenez une m\u00eame personne, une m\u00eame cam\u00e9ra, une m\u00eame pi\u00e8ce. Changez seulement la lumi\u00e8re : elle passe de \u00ab photo d&rsquo;identit\u00e9 au commissariat \u00bb \u00e0 \u00ab portrait de magazine \u00bb. La lumi\u00e8re est l&rsquo;ingr\u00e9dient le plus sous-estim\u00e9 d&rsquo;une vid\u00e9o ou d&rsquo;une photo r\u00e9ussie.<\/p>\n<p>Voici, sans \u00e9quation, les secrets que nous utilisons pour \u00e9clairer une interview ou un portrait.<\/p>\n<h2 class=\"wp-block-heading\">Lumi\u00e8re dure, lumi\u00e8re douce<\/h2>\n<p>Tout commence par une question de taille. Plus une source de lumi\u00e8re est petite par rapport au sujet, plus elle est <strong>dure<\/strong> : ombres nettes, contrastes forts, chaque ride soulign\u00e9e. Plus elle est grande, plus elle est <strong>douce<\/strong> : ombres progressives, peau adoucie, ambiance flatteuse.<\/p>\n<p>Le soleil de midi ? Lumi\u00e8re dure. Un ciel nuageux ? Lumi\u00e8re douce, parce que tout le ciel devient une immense source. Pour une interview d&rsquo;entreprise, on cherche presque toujours la douceur.<\/p>\n<h2 class=\"wp-block-heading\">Le sch\u00e9ma 3 points, la base de tout<\/h2>\n<p>C&rsquo;est le grand classique, enseign\u00e9 dans toutes les \u00e9coles. Trois sources, trois r\u00f4les :<\/p>\n<figure class=\"wp-block-table\">\n<table>\n<thead>\n<tr>\n<th>Lumi\u00e8re<\/th>\n<th>O\u00f9 la placer<\/th>\n<th>Son r\u00f4le<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Lumi\u00e8re cl\u00e9<\/td>\n<td>De c\u00f4t\u00e9, environ 30 \u00e0 45\u00b0 du visage, l\u00e9g\u00e8rement en hauteur<\/td>\n<td>\u00c9clairer le visage et dessiner son volume<\/td>\n<\/tr>\n<tr>\n<td>D\u00e9bouchage<\/td>\n<td>De l&rsquo;autre c\u00f4t\u00e9, plus faible<\/td>\n<td>Adoucir les ombres sans les supprimer<\/td>\n<\/tr>\n<tr>\n<td>Contre-jour<\/td>\n<td>Derri\u00e8re la personne, en hauteur<\/td>\n<td>D\u00e9tacher les cheveux et les \u00e9paules du fond<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>Vu du dessus, cela donne \u00e0 peu pr\u00e8s ceci :<\/p>\n<ul class=\"wp-block-list\">\n<li>Au centre : la personne interview\u00e9e, face \u00e0 la cam\u00e9ra (ou l\u00e9g\u00e8rement de trois quarts).<\/li>\n<li>Devant, \u00e0 gauche : la lumi\u00e8re cl\u00e9, dans une grande bo\u00eete \u00e0 lumi\u00e8re.<\/li>\n<li>Devant, \u00e0 droite : le d\u00e9bouchage, plus faible, ou simplement un r\u00e9flecteur blanc.<\/li>\n<li>Derri\u00e8re, en hauteur, c\u00f4t\u00e9 oppos\u00e9 \u00e0 la cl\u00e9 : le contre-jour, fin et discret.<\/li>\n<li>Au fond : une ou deux touches de lumi\u00e8re d&rsquo;ambiance sur le d\u00e9cor.<\/li>\n<\/ul>\n<p>Le rapport entre la cl\u00e9 et le d\u00e9bouchage fait toute l&rsquo;ambiance. Peu de diff\u00e9rence : image claire et rassurante, id\u00e9ale pour un t\u00e9moignage. Beaucoup de diff\u00e9rence : image plus contrast\u00e9e, plus dramatique, parfaite pour un dirigeant au ton affirm\u00e9.<\/p>\n<h2 class=\"wp-block-heading\">La fen\u00eatre, cette alli\u00e9e gratuite<\/h2>\n<p>Une grande fen\u00eatre sans soleil direct est une magnifique bo\u00eete \u00e0 lumi\u00e8re naturelle. Placer la personne de trois quarts face \u00e0 elle donne souvent un r\u00e9sultat superbe.<\/p>\n<p>Ses d\u00e9fauts ? Elle change. Un nuage passe, et l&rsquo;exposition varie au milieu d&rsquo;une phrase. Le soir, la teinte se r\u00e9chauffe. C&rsquo;est pourquoi, en vid\u00e9o, on la compl\u00e8te ou on la remplace souvent par des projecteurs : la lumi\u00e8re artificielle, elle, ne bouge pas pendant les deux heures d&rsquo;interview.<\/p>\n<div class=\"tdp-tip\">\n<p><strong>Astuce<\/strong> Si vous vous filmez vous-m\u00eame en visio ou pour un message rapide, mettez-vous face \u00e0 une fen\u00eatre, jamais dos \u00e0 elle. Vous passerez instantan\u00e9ment de silhouette myst\u00e9rieuse \u00e0 visage lisible.<\/p>\n<\/div>\n<h2 class=\"wp-block-heading\">Bo\u00eetes \u00e0 lumi\u00e8re et Chimera<\/h2>\n<p>Un projecteur nu donne une lumi\u00e8re dure. Pour l&rsquo;adoucir, on l&rsquo;enferme dans une <strong>bo\u00eete \u00e0 lumi\u00e8re<\/strong> (softbox) : une structure en tissu avec une face diffusante qui transforme un petit point lumineux en une grande surface douce.<\/p>\n<p><strong>Chimera<\/strong> est l&rsquo;un des noms historiques du domaine. La marque am\u00e9ricaine, fond\u00e9e en 1980, raconte \u00eatre n\u00e9e de l&rsquo;id\u00e9e d&rsquo;un photographe lass\u00e9 de transporter des bo\u00eetes en carton : une bo\u00eete \u00e0 lumi\u00e8re pliable, en tissu, qui se fixe directement sur le projecteur. Ses \u00ab lanternes \u00bb, des diffuseurs ronds, donnent une lumi\u00e8re enveloppante tr\u00e8s appr\u00e9ci\u00e9e pour \u00e9clairer une pi\u00e8ce ou un groupe.<\/p>\n<h2 class=\"wp-block-heading\">Les tubes Astera : l&rsquo;ambiance en couleur<\/h2>\n<p>Une fois le visage \u00e9clair\u00e9, reste le d\u00e9cor. C&rsquo;est l\u00e0 qu&rsquo;interviennent les <strong>tubes Astera<\/strong> : des tubes LED autonomes sur batterie, dont on r\u00e8gle la couleur et l&rsquo;intensit\u00e9 sans fil, depuis une application. On peut en glisser un derri\u00e8re une \u00e9tag\u00e8re, en poser un au sol contre un mur, cr\u00e9er un liser\u00e9 bleut\u00e9 ou une touche chaude.<\/p>\n<p>R\u00e9sultat : le fond gagne en profondeur, l&rsquo;image a du relief, et votre bureau ressemble un peu moins \u00e0\u2026 un bureau.<\/p>\n<h2 class=\"wp-block-heading\">Ce qu&rsquo;on \u00e9vite<\/h2>\n<ul class=\"wp-block-list\">\n<li>Le plafonnier seul, qui creuse les yeux et marque les cernes.<\/li>\n<li>Le m\u00e9lange de lumi\u00e8res de couleurs diff\u00e9rentes non ma\u00eetris\u00e9 : fen\u00eatre bleut\u00e9e d&rsquo;un c\u00f4t\u00e9, ampoule orang\u00e9e de l&rsquo;autre.<\/li>\n<li>Les n\u00e9ons qui scintillent \u00e0 l&rsquo;image ou donnent un teint verd\u00e2tre.<\/li>\n<li>Le reflet des projecteurs dans les lunettes : on ajuste la hauteur et l&rsquo;angle des sources.<\/li>\n<\/ul>\n<p>Chez that dog, nous \u00e9clairons chaque interview et chaque portrait comme une petite sc\u00e8ne de cin\u00e9ma, avec des bo\u00eetes \u00e0 lumi\u00e8re, des Chimera, des projecteurs puissants et des tubes Astera pour l&rsquo;ambiance. Et pour que la personne film\u00e9e soit aussi \u00e0 l&rsquo;aise que bien \u00e9clair\u00e9e, nos <a href=\"https:\/\/thatdog.fr\/index.php\/bien-se-preparer-interview-filmee\/\">10 conseils pour r\u00e9ussir son interview<\/a> sont un bon compl\u00e9ment.<\/p>\n<div class=\"tdp-cta\">\n<p><strong>Une lumi\u00e8re qui vous met en valeur<\/strong><br \/>Interview, portrait d&rsquo;\u00e9quipe ou dirigeant : parlons de l&rsquo;image que vous voulez donner.<\/p>\n<p><a href=\"https:\/\/thatdog.fr\/#contact\">Demander un devis \u2192<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Lumi\u00e8re cl\u00e9, d\u00e9bouchage, contre-jour, fen\u00eatre, bo\u00eetes \u00e0 lumi\u00e8re : comment la lumi\u00e8re transforme un visage \u00e0 l&rsquo;image.<\/p>\n","protected":false},"author":1,"featured_media":355,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[20],"tags":[22,9,18,8],"class_list":["post-356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coulisses","tag-coulisses","tag-photo","tag-tournage","tag-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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