{"id":688,"date":"2026-10-04T00:38:53","date_gmt":"2026-10-03T22:38:53","guid":{"rendered":"https:\/\/thatdog.fr\/index.php\/jornada-rodaje-hora-por-hora\/"},"modified":"2026-10-04T10:40:04","modified_gmt":"2026-10-04T08:40:04","slug":"jornada-rodaje-hora-por-hora","status":"publish","type":"post","link":"https:\/\/thatdog.fr\/index.php\/es\/jornada-rodaje-hora-por-hora\/","title":{"rendered":"Una jornada de rodaje, hora por hora: los bastidores contados"},"content":{"rendered":"

[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb]
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\n\t\t\t\t[et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb]<\/p>\n

7:45 h. El caf\u00e9 todav\u00eda no est\u00e1 caliente y las primeras cajas ya ruedan por el pasillo. Para usted, el rodaje empieza a las 9:00. Para el equipo, empez\u00f3 mucho antes.<\/p>\n

\u00bfC\u00f3mo es realmente una jornada de rodaje en una empresa? Aqu\u00ed tiene una jornada tipo, reconstruida hora por hora. Los horarios var\u00edan de un proyecto a otro, pero la l\u00f3gica es siempre la misma.<\/p>\n

La v\u00edspera: todo se decide antes<\/h2>\n

Bater\u00edas cargadas, tarjetas de memoria vaciadas y formateadas, objetivos limpios, plan de rodaje rele\u00eddo. Una jornada exitosa se prepara la v\u00edspera, maleta por maleta. Si quiere preparar su parte del trabajo, nuestra checklist para preparar un rodaje<\/a> le gu\u00eda paso a paso.<\/p>\n

La jornada, hora por hora<\/h2>\n

7:45 \u2013 Llegada y reconocimiento expr\u00e9s<\/h3>\n

El equipo descarga el material y recorre las instalaciones: \u00bfd\u00f3nde est\u00e1n los enchufes? \u00bfPor d\u00f3nde entra la luz natural? \u00bfHay un aire acondicionado ruidoso que apagar? En diez minutos sabemos d\u00f3nde montar cada escena.<\/p>\n

8:15 \u2013 Montaje de la iluminaci\u00f3n<\/h3>\n

Suele ser la etapa m\u00e1s larga. Focos, cajas de luz, tubos de ambiente: construimos la iluminaci\u00f3n de la entrevista para que el rostro resulte favorecido y el decorado tenga relieve. Mientras tanto, se monta y se ajusta la c\u00e1mara.<\/p>\n

9:00 \u2013 Recepci\u00f3n y pruebas de sonido<\/h3>\n

Llega la primera persona entrevistada. Le colocamos un micr\u00f3fono de solapa, comprobamos que no roce con la ropa y hacemos las pruebas de sonido: unas cuantas frases para ajustar los niveles. Un peque\u00f1o consejo: qu\u00edtese la acreditaci\u00f3n que tintinea, al micr\u00f3fono le encanta.<\/p>\n

9:30 \u2013 Entrevistas<\/h3>\n

Rodamos. Una entrevista rara vez dura menos de veinte o treinta minutos, aunque solo se conserven unas pocas frases. El director repregunta, reformula y pone a la persona a gusto. Una vez que se suelta, las mejores respuestas suelen llegar al final.<\/p>\n

\n

No buscamos la respuesta perfecta. Buscamos la respuesta sincera y luego la hacemos perfecta en el montaje.<\/p>\n<\/blockquote>\n

11:30 \u2013 Planos de apoyo<\/h3>\n

Dejamos el decorado de la entrevista para ir a buscar las im\u00e1genes que ilustrar\u00e1n lo que se ha dicho: manos trabajando, m\u00e1quinas, sonrisas del equipo, detalles de producto. Slider, estabilizador, c\u00e1mara lenta: ah\u00ed es donde la pel\u00edcula cobra vida.<\/p>\n

12:30 \u2013 Pausa para comer<\/h3>\n

Imprescindible. Un equipo con hambre hace planos menos inspirados. Es tambi\u00e9n el momento de echar un vistazo a las primeras im\u00e1genes con usted.<\/p>\n

13:30 \u2013 Copia de seguridad de las tarjetas<\/h3>\n

Mientras unos recogen el primer decorado, alguien se ocupa del momento m\u00e1s sagrado de la jornada: copiar las tarjetas de memoria. No una vez, sino dos, en dos discos distintos, con verificaci\u00f3n. Mientras una tarjeta no est\u00e9 duplicada, no se borra.<\/p>\n

\n

Consejo<\/strong> La regla llamada \u00ab3-2-1\u00bb es tambi\u00e9n una buena referencia para sus propios archivos: tres copias, en dos tipos de soporte distintos, una de ellas guardada en otro lugar.<\/p>\n<\/div>\n

14:00 \u2013 Los imprevistos (siempre los hay)<\/h3>\n

Una nube que cambia por completo la luz, una sala reservada por error, una persona que al final no puede ser grabada. Un equipo profesional siempre tiene un plan B: reorganizar el orden de las escenas, compensar la luz, convertir una limitaci\u00f3n en una idea. Su papel: estar localizable y reaccionar con rapidez.<\/p>\n

15:00 \u2013 Los \u00faltimos planos<\/h3>\n

Planos generales de la empresa, exteriores y, eventualmente, algunas tomas con dron si est\u00e1n previstas y autorizadas. Vamos tachando uno a uno los planos de la lista.<\/p>\n

17:00 \u2013 \u00abEst\u00e1 en la caja\u00bb<\/h3>\n

\u00daltima copia de seguridad, recogida, devolvemos los muebles a su sitio. Los espacios deben quedar como los encontramos. Despu\u00e9s el equipo se marcha con varias horas de im\u00e1genes en sus discos que se convertir\u00e1n en unos pocos minutos de pel\u00edcula.<\/p>\n

Lo que hay que recordar<\/h2>\n
\n\n\n\n\n\n\n\n\n\n
Momento<\/th>\nQu\u00e9 ocurre<\/th>\nQu\u00e9 puede hacer usted<\/th>\n<\/tr>\n<\/thead>\n
Antes de las 9:00<\/td>\nMontaje, luz, ajustes<\/td>\nPrever un acceso y una persona de referencia<\/td>\n<\/tr>\n
Ma\u00f1ana<\/td>\nEntrevistas<\/td>\nLiberar a los participantes a la hora prevista<\/td>\n<\/tr>\n
Mediod\u00eda<\/td>\nPausa, primeras impresiones<\/td>\nVer algunas im\u00e1genes, hacer sus preguntas<\/td>\n<\/tr>\n
Tarde<\/td>\nPlanos de apoyo, imprevistos<\/td>\nEstar localizable, abrir las puertas<\/td>\n<\/tr>\n
Final de la jornada<\/td>\nCopia de seguridad, recogida<\/td>\nConfirmar que no se ha olvidado nada<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

En that dog, cada rodaje sigue este ritmo: mucha preparaci\u00f3n para que la jornada le parezca fluida. Usted ve al equipo grabar; nosotros sabemos que, entre bastidores, cada minuto ha sido pensado. Y si le tientan varios rodajes al a\u00f1o, el acompa\u00f1amiento durante todo el a\u00f1o<\/a> permite planificar su ritmo con antelaci\u00f3n.<\/p>\n

\n

\u00bfOrganizamos su jornada de rodaje?<\/strong>
Descr\u00edbanos su proyecto y le proponemos un desarrollo claro y realista.<\/p>\n

Solicitar presupuesto \u2192<\/a><\/div>\n

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