{"id":799,"date":"2026-10-04T00:39:50","date_gmt":"2026-10-03T22:39:50","guid":{"rendered":"https:\/\/thatdog.fr\/index.php\/iluminar-retrato-entrevista-secretos-luz\/"},"modified":"2026-10-04T10:40:02","modified_gmt":"2026-10-04T08:40:02","slug":"iluminar-retrato-entrevista-secretos-luz","status":"publish","type":"post","link":"https:\/\/thatdog.fr\/index.php\/es\/iluminar-retrato-entrevista-secretos-luz\/","title":{"rendered":"Iluminar un retrato o una entrevista: los secretos de la luz"},"content":{"rendered":"<p>[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb]<br \/>\n\t\t\t[et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb]<br \/>\n\t\t\t\t[et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb]<\/p>\n<p>Tome a la misma persona, la misma c\u00e1mara, la misma habitaci\u00f3n. Cambie solo la luz: pasa de \u00abfoto de carnet en comisar\u00eda\u00bb a \u00abretrato de revista\u00bb. La luz es el ingrediente m\u00e1s subestimado de un v\u00eddeo o una foto logrados.<\/p>\n<p>Estos son, sin ecuaciones, los secretos que utilizamos para iluminar una entrevista o un retrato.<\/p>\n<h2 class=\"wp-block-heading\">Luz dura, luz suave<\/h2>\n<p>Todo empieza por una cuesti\u00f3n de tama\u00f1o. Cuanto m\u00e1s peque\u00f1a es una fuente de luz con respecto al sujeto, m\u00e1s <strong>dura<\/strong> es: sombras n\u00edtidas, contrastes fuertes, cada arruga subrayada. Cuanto m\u00e1s grande, m\u00e1s <strong>suave<\/strong>: sombras progresivas, piel suavizada, ambiente favorecedor.<\/p>\n<p>\u00bfEl sol de mediod\u00eda? Luz dura. \u00bfUn cielo nublado? Luz suave, porque todo el cielo se convierte en una inmensa fuente. Para una entrevista corporativa, se busca casi siempre la suavidad.<\/p>\n<h2 class=\"wp-block-heading\">El esquema de 3 puntos, la base de todo<\/h2>\n<p>Es el gran cl\u00e1sico, ense\u00f1ado en todas las escuelas. Tres fuentes, tres funciones:<\/p>\n<figure class=\"wp-block-table\">\n<table>\n<thead>\n<tr>\n<th>Luz<\/th>\n<th>D\u00f3nde colocarla<\/th>\n<th>Su funci\u00f3n<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Luz principal (key)<\/td>\n<td>De lado, a unos 30-45\u00b0 del rostro, ligeramente elevada<\/td>\n<td>Iluminar el rostro y dibujar su volumen<\/td>\n<\/tr>\n<tr>\n<td>Luz de relleno<\/td>\n<td>Del otro lado, m\u00e1s d\u00e9bil<\/td>\n<td>Suavizar las sombras sin eliminarlas<\/td>\n<\/tr>\n<tr>\n<td>Contraluz<\/td>\n<td>Detr\u00e1s de la persona, en alto<\/td>\n<td>Separar el pelo y los hombros del fondo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>Visto desde arriba, queda m\u00e1s o menos as\u00ed:<\/p>\n<ul class=\"wp-block-list\">\n<li>En el centro: la persona entrevistada, frente a la c\u00e1mara (o ligeramente de tres cuartos).<\/li>\n<li>Delante, a la izquierda: la luz principal, en una gran softbox.<\/li>\n<li>Delante, a la derecha: el relleno, m\u00e1s d\u00e9bil, o simplemente un reflector blanco.<\/li>\n<li>Detr\u00e1s, en alto, en el lado opuesto a la luz principal: el contraluz, fino y discreto.<\/li>\n<li>Al fondo: uno o dos toques de luz de ambiente sobre el decorado.<\/li>\n<\/ul>\n<p>La relaci\u00f3n entre la luz principal y el relleno crea todo el ambiente. Poca diferencia: imagen clara y tranquilizadora, ideal para un testimonio. Mucha diferencia: imagen m\u00e1s contrastada, m\u00e1s dram\u00e1tica, perfecta para un directivo de tono firme.<\/p>\n<h2 class=\"wp-block-heading\">La ventana, esa aliada gratuita<\/h2>\n<p>Una gran ventana sin sol directo es una magn\u00edfica softbox natural. Colocar a la persona de tres cuartos frente a ella suele dar un resultado excelente.<\/p>\n<p>\u00bfSus defectos? Cambia. Pasa una nube y la exposici\u00f3n var\u00eda en mitad de una frase. Por la tarde, el tono se calienta. Por eso, en v\u00eddeo, se complementa o se sustituye a menudo con focos: la luz artificial no se mueve durante las dos horas de entrevista.<\/p>\n<div class=\"tdp-tip\">\n<p><strong>Consejo<\/strong> Si se filma usted mismo en una videollamada o para un mensaje r\u00e1pido, col\u00f3quese frente a una ventana, nunca de espaldas a ella. Pasar\u00e1 al instante de silueta misteriosa a rostro legible.<\/p>\n<\/div>\n<h2 class=\"wp-block-heading\">Softbox y Chimera<\/h2>\n<p>Un foco desnudo da una luz dura. Para suavizarla, se encierra en una <strong>softbox<\/strong>: una estructura de tela con una cara difusora que transforma un peque\u00f1o punto luminoso en una gran superficie suave.<\/p>\n<p><strong>Chimera<\/strong> es uno de los nombres hist\u00f3ricos del sector. La marca estadounidense, fundada en 1980, cuenta que naci\u00f3 de la idea de un fot\u00f3grafo harto de transportar cajas de cart\u00f3n: una softbox plegable, de tela, que se fija directamente al foco. Sus \u00ablinternas\u00bb, difusores redondos, dan una luz envolvente muy apreciada para iluminar una sala o un grupo.<\/p>\n<h2 class=\"wp-block-heading\">Los tubos Astera: el ambiente en color<\/h2>\n<p>Una vez iluminado el rostro, queda el decorado. Ah\u00ed entran en juego los <strong>tubos Astera<\/strong>: tubos LED aut\u00f3nomos con bater\u00eda, cuyo color e intensidad se regulan de forma inal\u00e1mbrica desde una aplicaci\u00f3n. Se puede colocar uno detr\u00e1s de una estanter\u00eda, apoyar otro en el suelo contra una pared, crear un filete azulado o un toque c\u00e1lido.<\/p>\n<p>Resultado: el fondo gana profundidad, la imagen tiene relieve y su despacho se parece un poco menos a\u2026 un despacho.<\/p>\n<h2 class=\"wp-block-heading\">Lo que se evita<\/h2>\n<ul class=\"wp-block-list\">\n<li>La luz de techo como \u00fanica fuente, que hunde los ojos y marca las ojeras.<\/li>\n<li>La mezcla incontrolada de luces de distintos colores: ventana azulada por un lado, bombilla anaranjada por el otro.<\/li>\n<li>Los fluorescentes que parpadean en la imagen o dan un tono verdoso a la piel.<\/li>\n<li>El reflejo de los focos en las gafas: se ajustan la altura y el \u00e1ngulo de las fuentes.<\/li>\n<\/ul>\n<p>En that dog iluminamos cada entrevista y cada retrato como una peque\u00f1a escena de cine, con softbox, Chimera, focos potentes y tubos Astera para el ambiente. Y para que la persona filmada est\u00e9 tan c\u00f3moda como bien iluminada, nuestros <a href=\"https:\/\/thatdog.fr\/index.php\/es\/consejos-entrevista-grabada-sin-estres\/\">10 consejos para triunfar en una entrevista<\/a> son un buen complemento.<\/p>\n<div class=\"tdp-cta\">\n<p><strong>Una luz que le realza<\/strong><br \/>Entrevista, retrato de equipo o de directivo: hablemos de la imagen que quiere transmitir.<\/p>\n<p><a href=\"https:\/\/thatdog.fr\/index.php\/es\/video-foto-empresas\/#contact\">Solicitar presupuesto \u2192<\/a><\/div>\n<p>[\/et_pb_text][\/et_pb_column]<br \/>\n\t\t\t[\/et_pb_row]<br \/>\n\t\t[\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luz principal, relleno, contraluz, ventana, softbox: c\u00f3mo transforma la luz un rostro en imagen.<\/p>\n","protected":false},"author":1,"featured_media":355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[165],"tags":[192,170,188,168],"class_list":["post-799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe-es","tag-entre-bastidores","tag-fotografia","tag-rodaje","tag-video-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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